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	<title>soulRocks &#187; Hot Chip</title>
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		<title>Hot Chip</title>
		<link>http://www.soulrocks.co.uk/live/music/artists/hot-chip/</link>
		<comments>http://www.soulrocks.co.uk/live/music/artists/hot-chip/#comments</comments>
		<pubDate>Sun, 08 Aug 2010 11:31:42 +0000</pubDate>
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				<category><![CDATA[Artists]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[Hot Chip]]></category>
		<category><![CDATA[indie]]></category>

		<guid isPermaLink="false">http://www.soulrocks.co.uk/live/?p=356</guid>
		<description><![CDATA[Hailing from London, Hot Chip entered the picture with the release of their 2000 debut, Mexico. The EP was issued by Victory Garden Records, a label owned and operated by members of London&#8217;s resident lo-fi psychedelic rock institution Southall Riot. The MexicoEP was a hypnotic wash of subtle &#8212; nearly subliminal &#8212; pulse-like techno beats, acoustic guitars, and <a href="http://www.soulrocks.co.uk/live/music/artists/hot-chip/"><br />...read more on &#8220;Hot Chip&#8221;</a>]]></description>
				<content:encoded><![CDATA[<p>Hailing from London, Hot Chip entered the picture with the release of their 2000 debut, <a href="/cg/amg.dll?p=amg&amp;sql=10:wvfyxqq0ldte" class="broken_link"><em>Mexico</em></a>. The EP was issued by Victory Garden Records, a label owned and operated by members of London&#8217;s resident lo-fi psychedelic rock institution <a href="/cg/amg.dll?p=amg&amp;sql=11:h9fyxqt0ldhe" class="broken_link">Southall Riot</a>. The <a href="/cg/amg.dll?p=amg&amp;sql=10:wvfyxqq0ldte" class="broken_link"><em>Mexico</em></a>EP was a hypnotic wash of subtle &#8212; nearly subliminal &#8212; pulse-like techno beats, acoustic guitars, and plinky pianos, but the vocals were the true star of the show (no small feat in a musical climate overrun with disaffected <a href="/cg/amg.dll?p=amg&amp;sql=11:0ifrxqr5ldje" class="broken_link">Lou Reed-esque</a> mumblers and bland <a href="/cg/amg.dll?p=amg&amp;sql=11:0zfqxqegld0e" class="broken_link">Eddie Vedder</a> impersonators). The voices of <a href="/cg/amg.dll?p=amg&amp;sql=11:d9fexqu0ldke" class="broken_link">Alexis Taylor</a> and <a href="/cg/amg.dll?p=amg&amp;sql=11:f9fexqu0ldke" class="broken_link">Joe Goddard</a>are a fine study in contrast. <a href="/cg/amg.dll?p=amg&amp;sql=11:d9fexqu0ldke" class="broken_link">Taylor</a> offers dreamy, effortless falsettos that cut to the heart of the beauty of performers like <a href="/cg/amg.dll?p=amg&amp;sql=11:3xfoxqq5ldse" class="broken_link">Jeff Buckley</a> and <a href="/cg/amg.dll?p=amg&amp;sql=11:gifyxql5ldte" class="broken_link">Nick Drake</a> (minus any of the pretentiousness of<a href="/cg/amg.dll?p=amg&amp;sql=11:fxfoxql5ld6e" class="broken_link">Radiohead</a> or even <a href="/cg/amg.dll?p=amg&amp;sql=11:gzfwxqrkld6e" class="broken_link">Coldplay</a> or the bland vocal acrobatics of <a href="/cg/amg.dll?p=amg&amp;sql=11:0vftxq8gldfe" class="broken_link">Remy Zero</a>). Meanwhile, scattered throughout the record (and in the occasional duet), <a href="/cg/amg.dll?p=amg&amp;sql=11:f9fexqu0ldke" class="broken_link">Goddard</a> offers a tone that sounds a bit more world-weary and at times almost gruff in comparison to <a href="/cg/amg.dll?p=amg&amp;sql=11:d9fexqu0ldke" class="broken_link">Taylor</a>, calling to mind <a href="/cg/amg.dll?p=amg&amp;sql=11:hcfuxq95ldfe" class="broken_link">Damon Albarn</a>&#8216;s cool monotone tendencies. Self-released by Hot Chip in 2002, <a href="/cg/amg.dll?p=amg&amp;sql=10:0pftxqqaldje" class="broken_link"><em>Sanfrandisco E-Pee</em></a> showed the band dabbling in more playful sounds, from the beatbox dubbing of the title track to the closing notes of &#8220;Fanta,&#8221; in which <a href="/cg/amg.dll?p=amg&amp;sql=11:d9fexqu0ldke" class="broken_link">Taylor</a> pleads with the listener to &#8220;make sounds of the summer.&#8221; There are moments of gorgeous melancholy as well, but on the whole the album feels a bit more hopeful than <a href="/cg/amg.dll?p=amg&amp;sql=10:wvfyxqq0ldte" class="broken_link"><em>Mexico</em></a> had. The group signed to revered N.Y.C. record label DFA in 2005 and released the <a href="/cg/amg.dll?p=amg&amp;sql=10:h9fexq9dldte" class="broken_link"><em>Over and Over</em></a> EP, as well as the excellent 2006 full-length <a href="/cg/amg.dll?p=amg&amp;sql=10:azfyxqwdldde" class="broken_link"><em>The Warning</em></a>. Hot Chip kept busy in 2007 by supporting <a href="/cg/amg.dll?p=amg&amp;sql=10:azfyxqwdldde" class="broken_link"><em>The Warning</em></a> with singles and consistent touring, and released a <a href="/cg/amg.dll?p=amg&amp;sql=10:dzfoxzl5ldde" class="broken_link"><em>DJ-Kicks</em></a> mix album. Late that year, the single &#8220;Ready for the Floor&#8221; heralded the arrival of <a href="/cg/amg.dll?p=amg&amp;sql=10:kifoxz8jldte" class="broken_link"><em>Made in the Dark</em></a>, which featured some of the band&#8217;s most focused grooves and poppiest melodies to date. The mellower <a href="/cg/amg.dll?p=amg&amp;sql=10:09fexzqsldte" class="broken_link"><em>One Life Stand</em></a> followed in 2010.</p>
<p><a href="http://hotchip.co.uk/">http://hotchip.co.uk/</a></p>
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